Product

Editorial

January 2026

Signal Room

Signal Room

Signal Room gallery cover

A warm, tactile archive of CRT televisions, worn dials and phosphor glow—photographed as useful objects with personality, not dusty props waiting for a nostalgia filter.

Signal Room gallery cover

Client

Static Archive

Camera

Hasselblad X2D 100C

Lenses

XCD 38V f/2.5 and XCD 90V f/2.5

Other Devices

Tethered capture station, probe lens, dimmer pack, blackout cloth and light haze

Lighting

Tungsten practicals balanced with one large diffused key and narrow flags to protect the screens

Color Grade

Tobacco browns, olive shadows and gently separated cyan-violet phosphor color

Location

London, United Kingdom

Credits

Photography: Sequence Studio · Collection and technical handling: Static Archive · Set styling: Mira Sol Workshop

Client

Static Archive

Lenses

XCD 38V f/2.5 and XCD 90V f/2.5

Lighting

Tungsten practicals balanced with one large diffused key and narrow flags to protect the screens

Location

London, United Kingdom

Camera

Hasselblad X2D 100C

Other Devices

Tethered capture station, probe lens, dimmer pack, blackout cloth and light haze

Color Grade

Tobacco browns, olive shadows and gently separated cyan-violet phosphor color

Credits

Photography: Sequence Studio · Collection and technical handling: Static Archive · Set styling: Mira Sol Workshop

When the screen was part of the furniture

Static Archive wanted its television collection photographed with the warmth of a lived-in room and the clarity of a proper catalog. We built small environments around the sets - shelves, plants, clocks and worn wood - then made sure the controls, casing and screen character remained easy to study.

Photographing light that flickers back

CRT screens and reflective glass do not politely cooperate with a camera. Shutter speeds were tested against each refresh pattern, while flags controlled reflections without removing every sign of the room. Detail frames focused on dials, speaker cloth and softened plastic edges; wider scenes showed how naturally these machines once occupied domestic space.

The archive edit includes

  • Room-scale compositions showing stacked sets and domestic display environments

  • Close studies of UHF/VHF controls, vents, handles and age-worn materials

  • Screen-on photographs preserving the imperfect color and glow of working CRTs

The result is useful enough for an archive and warm enough for an editorial. The televisions look carefully preserved, but not embalmed - which is a surprisingly important distinction when the subject has this many knobs.